Ghost Wall

Ghost Wall

eBook - 2019
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Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. Her father is an abusive man, obsessed with recreating the discomfort, brutality and harshness of Iron Age life. Behind and ahead of Silvie's narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.
Publisher: New York : Farrar, Straus and Giroux, 2019.
Edition: First American edition.
ISBN: 9780374719555
Characteristics: 1 online resource
Additional Contributors: cloudLibrary


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Apr 05, 2019

Nominated for Women's Prize for Fiction. Anti-Brexit, anti-patriarchy. Very good.

DPL_Graham Mar 22, 2019

For the father of teenage Silvie, the Iron Age is an escape into the past, into a time when Britton were Brittons and all was true and right with the world. It was a time of violence, sacrifices, and death. A time when you ate when food was available, not when you were hungry. Silivie’s father yearns for a time before he had to drive immigrants around on a bus all day, and the Iron Age is his escape into a perfect past.

At the invitation of a professor friend, Silivie’s family joins a group of students for a few days in the woods cooking over a fire, hunting and fishing, and scavenging for food. While a few of the students don’t take the trip seriously, sneaking out for snacks and beers, Silvie’s dad holds his family to a higher standard, even if that higher standard means physical punishment.

This short book builds quickly towards a climatic ending, full of tension, repression, and violence. Sarah Moss uses her unconventional writing style to capture the audience and draw you into her book. The lack of quotation marks throughout the book does take some getting used to but once you let the words and sentences flow everything works.

multcolib_karene Feb 21, 2019

There is so much packed into this book - primitive vs modern societies, class, sexuality, capitalism, misogyny, and human beings' capacity for violence. And all of this in only 130 pages!

SPL_Shauna Feb 20, 2019

Complete review available under Summary.


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SPL_Shauna Feb 20, 2019

The 90s in Britain were, as the kids say, a mood. Boppy, melodic Britpop overtook dissonant grunge on the airwaves, things were fairly psychedelic, glitter was just coming back (but was still unpopular enough to be, weirdly, punk rock). Almost no one had cell phones yet, which meant extremely creepy things could happen without being documented.

Against this backdrop, teenage Sylvie is dragged to an Iron Age re-enactment retreat by her father. He’s an intelligent, blue-collar guy with a passion for purist versions of British history, and a survivalist streak. He harbours disdain for anyone who taints the purity of British heritage, or is unable to survive in the manner of ancient British forebears. If you’re thinking he sounds like a nasty piece of work, you would be correct. Only the dry, sarcastic spark of Sylvie’s voice makes the work of surviving her father bearable for the reader.

It’s the survivalist streak that endears Sylvie’s father to a professor of British history, who has decided to host an Iron Age reenactment retreat for his students. Sylvie’s father is meant to teach the small group all the survivalist skills they need. But, in so doing, he enforces an iron rule over Sylvie and her mother using the psychological terror they’ve both grown numb to in his home.

Meanwhile, Sylvie’s father bonds with the professor and the boys in the class over a project the women only see glimpses of. The men boil the flesh off animal skulls to construct something called a ghost wall, and enact his vision of ancient rites by firelight. They mourn the fact that they have no human skulls to use, as would be authentic. The men grow obsessed with sacrificial rituals that left near-perfectly preserved bog people bound and drowned in the peat.

As the book winds toward its conclusion, author Sarah Moss paints a concise, terrifying picture of the psychological effects of abuse into a scant 132 pages. Written in a compact, almost poetic voice, Moss expertly torques the tension into a stunning one-night read that will haunt readers long after they’ve closed the book.


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